At the dangerous intersection of Liberty and Empire, Raymond Bianchi
breaks the sound barrier. These “multi-colored sequences”
are up to date heart-breaking cubistic international songs in
“real time,” trafficking in corporate corruption and
working people, desire and everyday life. This is wild and honest
work. -- PETER GIZZI
This political and poetical post-existential, post-noir
writing speaks through an interrelated host of filmmakers, cultural
historians, and other artists. Bianchi's recombinatory prose poetics
results in recognizably formal repetition and variation,"and
he would be remarkable" for these sprawling stanzas set with
intersections and identifications drawn from the catholicity of
America's most Catholic city, Chicago.
-- CATHERINE DALY
Finally a book of poetry that contains more than
dancing skeletons or sighs at sunset, Ray Bianchi's CIRCULAR DESCENT
spins with knee-breaking centrifugal force. The sheer scope is
staggering -- Marcel Duchamp, Catholicism, the Cold War, butchers,
suburban sprawl, steelmill workers, Saddam Hussein, and the 1917
White Sox -- and surely somewhere Witold Gombrowicz and Viktor
Shklovsky are smiling. Bianchi's a startingly original writer
and CIRCULAR DESCENT radiates with the intensity of "Bull
Connor's firehoses ripping Andy Warhol's hair off by the root."
-- MARK TARDI
Product Information:
· Paperback: 85 Pages
· Binding: Perfect-Bound
· Published (JULY 2004)
· Size: 5" x 8" | ISBN: 0-9759227-2-6
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