BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX 2k9 Late Spring 2009
Introduction: BlazeVOX [Kiss Your Elbow]
Geoffrey Gatza
Tony Leuzzi
Letitia Trent
Larry Gaffney
Luca Penne
Mike Lyne
Mark Cunningham
Matt Specht
Michael Bernstein
Michael Estabrook
Michael James Martin
Michael J. Opperman
mike ruddick
Myl Schulz
Naomi Tarle
Nathan Hauke
Nina Corwin
Paul Siegell
Paul Sutton
Dawn Christopher
Pete Miller
Rachel Weekes
Raymond Farr
RM Vaughan
Richard Spuler
Rodney Nelson
Steffi Drewes
Travis Cebula
Tyler Carter
Luke Moldof
Sam Schild
mez breeze
Rachael Stanford
Brooks Johnson
Patrick Chapman
Aaron Anstett
Abby Stringer
Scott Abels
Adam Siegel
adam strauss
Alec Newman
Andy Frazee
A.D.Hitchin
Ashley VanDoorn
Dennis Barone
Alex Stolis
Brian Hardie
Christie Ann Reynolds
Constance Stadler
Curt Hopkins
Darren Caffrey
David Tolkacz
David Wolach
Dion Farquhar
Donald Illich
Ed Baker
Felino Soriano
Glenn R. Frantz
John C. Goodman
James Brown
Jan Imgrund
Jay Snodgrass
Jennifer H. Fortin
Joe Hall
John Pursley III
John Moore Williams
Karen Sandhu
Tom Jenks
Buffalo Focus : Paul Hogan
Author Bios : Bibliophones
IntroductionIntroduction
In this issue we seek to avoid answers but rather to ask questions. With a subtle minimalistic approach, this issue of BlazeVOX focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. The works collected feature coincidental, accidental and unexpected connections, which make it possible to revise literary history and, even, better, to complement it.
Combining unrelated aspects lead to surprising analogies these piece appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, the texts reference post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
Many of the works are about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes develop in absurd ways. By creating situations and breaking the passivity of the spectator, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. These pieces demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. Enjoy!
Rockets! Geoffrey Gatza, editor