BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX17 Spring 2017
Table of Contents
Poetry
Fiction
Charlie Hill — Multitudes
Joshua King — Poena Cullei
Robert Wexelblatt — Petite Suite des Erreurs Minuscules
Becca Lundberg — Just Delaney
Lisa Clark — Modifications
Leigh Ann Cowan — What Little Girls Are Made Of
Craig Fishbane — Molly Webber Has Arrived
Emilia Rodriguez — Nursery
Kate Koenig — Gentle, Gentle, Gentle
Text Art & Vispo
ana cancela — from, The Herman, Bartleby of Tales
Mark Young — five visuals
bruno neiva — from, GUY (alt version)
hiromi suzuki — eternal loop
Creative Non-Fiction & Experimental Prose
Lawrence Upton — A SONG, through Alaric Sumner
Caitlin Conroy — Leonid
Diarra English — Black Faces in Private Places
Elika Ansari — Confession of a Pseudo-European
Rebecca Melson — Cultivating Nations
Acta Biographia — Author Biographies
Hello and welcome to the Spring issue of BlazeVOX 17. Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world. Do have a look through the links below or browse through the whole issue in our Scribd embedded PDF, which you can download for free and take it with you anywhere on any device. Hurray!
IntroductionIntroduction
In this issue we seek to avoid answers but rather to ask questions. With a subtle minimalistic approach, this issue of BlazeVOX focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. The works collected feature coincidental, accidental and unexpected connections, which make it possible to revise literary history and, even, better, to complement it.
Combining unrelated aspects lead to surprising analogies these piece appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, the texts reference post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
Many of the works are about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes develop in absurd ways. By creating situations and breaking the passivity of the spectator, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. These pieces demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. Enjoy!
Rockets! Geoffrey Gatza, editor