BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX18 Spring 2018
Table of Contents
Poetry
Fiction
Petite Suite Littéraire — Robert Wexelblatt
Two Verse Plays — Sue Brannan Walker
White Elevators — Malika K. McCoy
Fashion Victim — Veronica Abrams
Excerpt from Whiplash Girlchild — Sascha Akhtar
Nobody Talks About — Rebecca L. Monroe
Together, Hips Grinding — Hareendran Kallinkeel
The Tale of Martin Namibia — Alaric von Satyrane
Barely Bitten — Kennedy Harrison
The Light of Dawn — Spencer Wimmer
Text Art & Vispo
a birthday cake inside a file — Mark Young
Snakes in the Grass — Kevin Ryan
La vie en rose — hiromi suzuki
Chronology Poems — Sacha Archer
Non-Fiction
The Weakness in Me — Avery Morris
Praises and Comeuppances - Elizabeth Alexander
The First Jamaican Church Experience — Kevin Ryan
There Were Wolves in Albuquerque’s South Side; Circa 1999 — Rebecca Melson
Acta Biographia — Author Biographies
Hello and welcome to the Spring issue of BlazeVOX 18. Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world. Do have a look through the links below or browse through the whole issue in our Scribd embedded PDF, which you can download for free and take it with you anywhere on any device. Hurray!
IntroductionIntroduction
In this issue we seek to avoid answers but rather to ask questions. With a subtle minimalistic approach, this issue of BlazeVOX focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. The works collected feature coincidental, accidental and unexpected connections, which make it possible to revise literary history and, even, better, to complement it.
Combining unrelated aspects lead to surprising analogies these piece appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, the texts reference post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
Many of the works are about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes develop in absurd ways. By creating situations and breaking the passivity of the spectator, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. These pieces demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. Enjoy!
Rockets! Geoffrey Gatza, editor