BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX 2k10 Fall 2010
Introduction : Ezra Pound at 125
Julia Anjard Maher
Joshua Young
Jennifer Thacker
Kate Lutzner
Kelci M. Kelci
Laura Straub
Martin Willitts Jr
Margot Block
Myl Schulz
Camille Roy
Megan Milligan
Michael Caylo-Baradi
Michael Crake
Michael Hartman
Nick Miriello
Nicole Peats
Orchid Tierney
Philip Sultz
SJ Fowler
Steven Taylor
Steve Potter
Stephan Delbos
Simon Perchik
Sean Neville
Sarah Sousa
Bob Whiteside
Ricardo Nazario y Colón
Santiago del Dardano Turann
John Raffetto
Bruce Bromley
Carl Dimitri
Gregory Dirkson
Jordan Martich
Natalie McNabb
Moura McGovern
Jennifer Houston
Robert Vaughan
Christi Mastley
pd mallamo
bruno neiva
Alban Fischer
Amy Hard
Amanda Stephens
Amy Lawless
Amylia Grace
Andrea Dulanto
AE Baer
Anisa Rahim
Antony Hitchin
Brad Vogler
Barbara Duffey
Benjamin Dickerson
Bob Nimmo
Billy Cancel
Brian Edwards
Brian Anthony Hardie
Ashley Burgess
Carlos Ponce-Meléndez
Carol Smallwood
Caroline Klocksiem
Chad Scheel
Christine Herzer
Darren Caffrey
David Toms
Debrah Morkun
Diana Salier
Donna Danford
David Plumb
Ed Makowski
Elizabeth Brazeal
Eric Wayne Dickey
Erin J. Mullikin
Julie Finch
Flower Conroy
George McKim
Geoffrey Gatza
Sarah Sweeney
Geer Austin
henry 7. reneau, jr
Howie Good
Ivan Jenson
Ian Miller
James Mc Laughlin
Jason Joyce
Jeff Arnett
Author Bios : Bibliophones
buffaloFocus : Norma Kassirer
IntroductionIntroduction
In this issue we seek to avoid answers but rather to ask questions. With a subtle minimalistic approach, this issue of BlazeVOX focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. The works collected feature coincidental, accidental and unexpected connections, which make it possible to revise literary history and, even, better, to complement it.
Combining unrelated aspects lead to surprising analogies these piece appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, the texts reference post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
Many of the works are about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes develop in absurd ways. By creating situations and breaking the passivity of the spectator, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. These pieces demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. Enjoy!
Rockets! Geoffrey Gatza, editor