BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX 2k10 Spring 2010
Introduction: A World of Acceptance
Lara K. Dolphin
Julie Kovacs
Mark Cunningham
Mark Moore
Mitch Corber
Marc Paltrineri
Melanie Sevcenko
Michael Rerick
Mick Raubenheimer
Natascha Tallowin
Peter Vullo
Valentine Pakis
Parker Tettleton
Peter Golub
Philip Byron Oakes
Peter Brown Hoffmeister
Kenneth Kesner
R Pang
Rachael Stanford
Ramya Kumar
Raymond Farr
Rebecca Chadwick
Rebecca Lindenberg
Richard Barrett
Rich Follett
Robert Stoddard
Robert Wexelblatt
Sam Silva
Sankar Roy
Santiago del Dardano Turann
Tyson Bley
Scott Sweeney
Serena M Tome
Steve Gilmartin
Shimmy Boyle
Bart Sonck
Sophie Sills
Stacy Kidd
Stephen Baraban
SJ Fowler
Steve Roggenbuck
Tim Tomlinson
Travis Cebula
Travis Macdonald
Yemi Oyefuwa
Walter William Safar
David Tomaloff
Abbie J. Bergdale
Adrian Stumpp
Andre Zucker
April A.
Ariel Lynn Butters
Arkava Das
Ather Zia
B.C. Havens
Bree Katz
Brian Anthony Hardie
Brian Spaeth
Bryanna Licciardi
Chris Chambers
Christopher Khadem
Constance Stadler
Daniel Godston
Daniel Romo
Dario Mohr
David Patterson
David Koehn
david smith
Dennis Etzel Jr.
Jennifer Schecter
Edward William Cousins
Edwin Wilson Rivera
Elizabeth Kerlikowske
Emma Ramos
Erik B. Olson
Evan Schnair
Joseph Farley
Marcia Chicca
Geoffrey Gatza
Geoffrey Babbitt
Gloria
Harmony Button
Jim Bennett
Isaac James Baker
Jacob Russell
Jaime Birch
Jill Jones
Jan LaPerle
John McKernan
Katie Jean Shinkle
Keith Moul
Kyllikki Brock Persson
Lance Newman
Lucy Hunt
Linda Ravenswood
Leonard Gontarek
Richard Owens
Peter Fernbach
buffaloFocus : Aaron Lowinger
Author Bios : Bibliophones
IntroductionIntroduction
In this issue we seek to avoid answers but rather to ask questions. With a subtle minimalistic approach, this issue of BlazeVOX focuses on the idea of ‘public space’ and more specifically on spaces where anyone can do anything at any given moment: the non-private space, the non-privately owned space, space that is economically uninteresting. The works collected feature coincidental, accidental and unexpected connections, which make it possible to revise literary history and, even, better, to complement it.
Combining unrelated aspects lead to surprising analogies these piece appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. In a search for new methods to ‘read the city’, the texts reference post-colonial theory as well as the avant-garde or the post-modern and the left-wing democratic movement as a form of resistance against the logic of the capitalist market system.
Many of the works are about contact with architecture and basic living elements. Energy (heat, light, water), space and landscape are examined in less obvious ways and sometimes develop in absurd ways. By creating situations and breaking the passivity of the spectator, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. These pieces demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century. It challenges the binaries we continually reconstruct between Self and Other, between our own ‘cannibal’ and ‘civilized’ selves. Enjoy!
Rockets! Geoffrey Gatza, editor