lithic cornea (Volume V, The Grammaton Series) by Irene Koronas

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Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg

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Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg

Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects. —Thetica Zorg

In Praise of Irene Koronas’ Grammaton Series

(lithic cornea, Volume V, holyrit, Volume IV, declivities, Volume III, ninth iota, Volume II, Codify, Volume I)

Irene Koronas’ Grammaton Series is as rapturistic as it is daemonic.

—Eddy Daemon,
Protagonist, The Rapture of Eddy Daemon

Irene Koronas’ Grammaton Series is an agonic triumph of misprisionary genius.

—Agon Hack
Protagonist, The Misprision of Agon Hack

Irene Koronas’ Grammaton Series is a metaleptic myth of reincarnation in an Einstein-Rosen Bridge.

—Anna Phylactic
Protagonist, The Reincarnation of Anna Phylactic

Irene Koronas’ Grammaton Series is an antithetical subphylum launching its egg, planula larva, polyp and tryst autoaffects.

—Thetica Zorg
Protagonist, The Tryst of Thetica Zorg

In Praise of holyrit, Volume IV, The Grammaton Series (BlazeVOX, 2019)

Between gilgul and galgal, logos and gematria, Irene Koronos’ fourth volume of the Grammaton Series, holyrit delivers a spectacular juxtapoiesis of textual and sonic probes— fragrant ellipses, fragments and eclipse, where all that is sacred, secular, savage and ex-static explode as sparks of light reminding us how the letters themselves are the building blocks of creation.

And if “mysticism” is that which does not fit into the system; that which cannot be absorbed, holyrit presents itself as a “mystical” act, performed through exile and fluidity and virtuosic fluxuriance.

—Adeena Karasick

Irene Koronas is the author of numerous collections of xperimental writing. Her Grammaton Series includes holyrit, Volume IV (BlazeVOX, 2019), declivities, Volume III, (BlazeVOX, 2018), ninth iota, Volume II (The Knives Forks and Spoons Press, 2018) and Codify, Volume I (Éditions du Cygne, 2017).

Her collections include Turtle Grass (Muddy River Books, 2014), Emily Dickinson (Propaganda Press, 2010), Pentakomo Cyprus (Červená Press, 2009) and Self Portrait Drawn From Many (Ibbetson Street Press, 2007).

Her collaboratives include heshe egregore (with Daniel Y. Harris, Éditions du Cygne, 2016),

Her xperimental writing and sauvage art have been published in Alligatorzine, Arcanum Café, BlazeVOX, The Boston Globe, Brave New Word, Cambridge Chronicles, Clarion, Counterexample Poetics, Divine Dirt, E·ratio, Esthesis, experiential-experimental-literature, International Times, The Licentiam: A Journal for Erotic Literary Experimentalism, Lynx, Lummox, Marsh Hawk Press Review, Mgversion>datura, Of\with, journal of immanent renditions, New Mystics, Offcourse Literary Journal, Otoliths, perspektive, Pop Art, Right Hand Pointing, Poesy, Presa, The Seventh Quarry Magazine, Silver Pinion, slowforward, SPAMzine, Spreadhead, Stride, Taos Journal of International Poetry & Art and Utsanga.

She has exhibited her sauvage art at the Tokyo Art Museum Japan, the Henri IV Gallery, the Ponce Art Gallery, Gallery at Bentley College and the M & M Gallery. She is the Publisher of X-Peri & Var(2x). Her website is irenekoronas.com.

Book Information:

· Paperback: 124 pages
· Binding: Perfect-Bound
· Publisher: BlazeVOX [books]
· ISBN: 978-1-60964-387-4